I just had a memorable lunch with my girl-possy at Sway, a restaurant that’s been on my bucket list for a long time.
The food and company were second to none, but check out the outdoor ambiance that sets the mood before you ever set foot in the restaurant.
And then, of course, there is that fabulous food.
Austin, I love that your restaurants are not only food, but also cultural and artistic destinations! Thanks for the great lunch, Sway, and the food for my eyes.
I have an obsession with extracting color in or out of photos and playing with contrast during post-processing in Lightroom. I don’t do this with all my photos, just the ones that call out to me for more of an artistic spin.
Jackie Venson singer/songwriter | Beautiful in my favorite color, brown.Ironically, these are typically the photos that are technically challenging to edit which have been under or overexposed, not-in focus, or with other lighting issues that most logical people would discard. Those types of photos really excite me because I anticipate being able to create a really unique image with them.
I am also drawn to photos with strong geometric lines, are clean and not too busy, have strong lighting contrast, or that have interesting composition.
Here is a set of photos I did during rehearsals and sound check for the 2017 SXSW Austin Music Awards for the Craftbox Agency and The Austin Chronicle. Photos of musicians are always so much fun for me to post-process. I’ll often spend way too long working on one photo because the artistic possibilities are endless, not to mention that the artists are typically so visually interesting in themselves.
Michael Ramos, Charanga Cakewalk, music producer, The BoDeans, toured/recorded with John Mellencamp, Los Lonely Boys, Patti Griffin, Paul Simon, Rembrandts, and many others | I’ve had the opportunity to photograph Michael several times over the past year and a half. He’s typically behind a Nord or a Baldoni. In this shoot, I tried to compose him in a unique way than I had in the past. It’s the composition that I love so much about this photo.
Adrian Quesada, music producer, The Echocentrics, Brownout, Money Chicha and formerly with Grupo Fantasma | I love taking photos of Adrian. He’s always super laid back in the studio between sets, and that’s when I typically like to take a shot of him. I kept this photo warm, toned down the color and brought up the luminance to achieve something metallic-like to compliment the metal in his guitar and specs.
Charlie Sexton, guitarist/singer/songwriter, 1985 hit “Beat’s So Lonely”, Arc Angels, guitarist for Bob Dylan and David Bowie | Charlie is so much fun to photograph because he’s always got great hair and a huge smile on his face. This was a more serious moment. I’m not sure what was creating the bokeh in the background. I think it was actually the drums, but it was the inspiration for how I processed this photo.
Conrad Choucroun, 2016 Austin Music Awards Drums/Percussion Artist of the Year, drummer with Bob Schneider, NRBQ, Kelly Willis, Patty Griffin, and many more | Here is another musician who’s hair I worship:-) I decided to get a different vantage point for this photo and composed and processed it to feature his cymbals and the interaction in the background between Erika Wennerstrom and Charlie Sexton.
Jose Galeano, Grupo Fantasma | I love the three predominant colors in the photo that I enhanced: blue, purple and the pop of red. I also love the intensity on his face and movement of the drum sticks.
Gilbert Elorreaga, Grupo Fantasma, Brownout | The lighting in the studio was very challenging but interesting. The original photos were very red. I could’ve taken out more of the warm tones but chose to keep them because I liked how they looked with his trumpet. Bumping up the luminance gave his skin some of the same lustre as his instrument.
Mark Gonzalez, Grupo Fantasma and Brownout | I definitely wanted to emphasize Mark’s profile in this pic so I darkened the background to hightlight it.
Josh Levy, Grupo Fantasma, Brownout | I toned down the color contrast and bumped up the luminance to create a luminous look to go with the moody feel of the room.
Beto Martinez, Grupo Fantasma and Brownout | I processed this in infrared and played around with the color hoping to achieve a funky result. Ironically, I ended up really liking this almost monochromatic metallic result.
A year ago, I had the privilege of photographing The Echocentrics, a cumbia/funk/soul band formed by Adrian Quesada, a friend, local Austin music producer, and Grammy winner with a resume beyond extraordinary that includes Grupo Fantasma, Ocote Soul Sounds, and Brownout.
Natalia Clavier (Thievery Corporation) flew in from New York and joined band members John Speice IV, Arturo Torres, Gerard Larios, and John Branch for this creative shoot in the groovy mirror room at East Austin’s swanky haunt, Justine’s Brasserie.
The zoom burst shot of them and the ceiling selfie (can you find me?) are still some of my favorite photographs to this day.
I loved the artistic collaboration that happened during this shoot. The zoom burst shot was a brainchild of the band, who wanted to play on the word “echo” with the mirrors, and my use of the zoom burst technique and post-processing in infrared. Talk about a good looking band! I’m feeling groovy, velvety and mystical when I look back at these images, which is a good parallel to their music.
Check them out! Let Love In, C
I took my son to Mt. Bonnell today with pause. It’s touristy, I know. BUT, it was a very purposeful trip. I wanted to 1) enjoy the beautiful weather with him and let him play with my digital mirrorless camera 2) see what it felt like to lug around my new Peak Design Everyday Backpack, packed to the brim with what felt like 30 lbs of my gear. He enjoyed the heck out of our day and didn’t care that it was touristy, and I came home with the realization that I need a better strap for my camera!
When we got to the top, he struck this pose. The nature of his pose and the striking blues and greens in the photo led me to give processing it in infrared a try. I always like to give this a go with my more colorful pictures that have interesting context. It’s fun to play around with the settings in Lightroom to achieve the color and contrast I want to achieve. Not all photographs transition into infrared well, but after a lot of trial and error, I can pretty much tell right of the bat if I’m going to achieve something interesting – in a good way. Or it could be that I’M the only one who finds it interesting, which is totally okay by me:-)
Do you play around with infrared? I’d love to hear about your tips and techniques and see your photos. Drop me a line and let’s connect! Let Love In, C
the artsy photog 